A Celt and a Saxon would agree that of the colour of the sea, the colour of ivy leaves, and the colour of an Ovate’s robe, two belong together and one is different. They would, however, disagree on what the two are.
I’ve been following the writing of pagan writer Rhyd Wildermuth for a while, having originally seen his name mentioned by other bloggers. Of late, Rhyd seems to have been undergoing a shift in his thinking, and one of his recent posts – The Fires of Meaning – struck a chord, and helped me to clarify a train of thought about culture, faith, and why contemporary Druidry is seemingly so ineffective in responding to the catastrophe that is facing our society.
Since I expect pushback against some of the ideas I explore here, let’s be very clear from the outset: this is an exploration of how faith in general, and Druidry in particular, can help people cope during the collapse of Western society which is indicated by the scientific evidence available to us. If you believe that Western society is in fact likely to continue much as it is today, you don’t need to read this.
In Welsh Druidry, we believe in reincarnation, and the gradual journey of the soul from Annwn, through untold incarnations in our own world of Abred, until it has become sufficiently wise to leave material incarnation behind and progress to Gwynfyd, the existence of purely spiritual life:
I wrote this as a contribution to a discussion that’s ongoing in the members’ forums of the Druid Network. Those are private, so I thought I might post it here so that a broader audience can read it and contribute their thoughts.
I was recently reading a Substack article by Rod Dreher, a member of the Eastern Orthodox Church, which led me to this piece by David Bentley Hart. Hart talks about a man called Reuben, who he met many years ago in Lancaster, England. I haven’t read anything by Hart before; Dreher, though devout in his Christian faith, has a mystic aspect to his faith which often overlaps the Druidic worldview. Hart has this to say of Reuben:
I first read The Crow Goddess decades ago, when I was an undergraduate. I must have found it in a second-hand bookshop somewhere – I have no recollection of where – because I’m pretty sure that it was long out of print even then. Still, if you can find a copy, it’s very much worth snapping it up as it’s the best work I’ve read of life in the ancient world of the Celts.
Green is the colour of the Ovate, and under the sign of this colour are placed all the sciences of awen and reason and cogency, as distinct from what belongs to the principal sciences of Bardism, and all the improvement of sciences of whatever kind they may be, so that they are good. That is to say, they are assimilated to the green vegetation of the growth of earth, woods, and fields, which delights the heart and eye of those who behold them.
Barddas: The Triads of Privilege and Usage.
Iolo Morganwg was a stonemason. Most people who know anything about him could tell you that – but I suspect very few of them could tell you what it meant. Indeed, I suspect that, if pressed, people would guess it meant something like a bricklayer – a relatively unskilled manual job, of low social status.
The Gorsedd of the Bards of the Island of Britain, in public procession with banners:
In contemporary Druidry, we often find a number of Welsh words being used. Examples are Awen, Nwyfre, and Eisteddfod. They aren’t always used correctly, or properly understood. I’m getting ready to start writing a new series of posts about Iolo Morganwg’s achievements, Iolo the Ovate (I’ve already written a series on Iolo the Bard, and will eventually move on to Iolo the Druid). Before I can, though, I want to cover the difference between Gorsedd and Eisteddfod.
I’ve recently been contemplating Gwyn ap Nudd, and my relationship with him. Unlike others such as Lorna Smithers, I have taken no vows and entered into no formal commitment. I am still exploring my relationship with the Gods of the Welsh and different gods, at different times, communicate things to me.
And yet, Gwyn ap Nudd’s voice has been the most insistent. Based on what he has told me, and which I conveyed in a series of posts on this blog, Gwyn is mobilising to restore balance to the world. Humanity has become too damaging to the world of nature, and to the forests – which are a part of his domain. Humanity has become too dangerous, and too damaging, to the Fair Folk, the Tylwyth Teg, who reside in this world as well as in the Otherworld.
Periodically, the OBOD forums I participate in see discussions arise about cultural appropriation.
I’ve already made my position clear on this: it annoys the heck out of me, and I get really angry at people who take elements of Welsh language and culture and casually try to redefine them turn them into something they are not – which most often seems to be a rebranded version of common pagan themes. For example, there are currently a number of people trying to treat Gwyn ap Nudd as a rebranded, touchy-feely, Cernunnos, when the extant body of myth clearly depicts him as quite different.