As recent posts have suggested, I’ve been thinking about the topic of suffering – and how Druidry deals with suffering. It’s something we all need to be thinking about, to be honest. We’re entering a time of major change. We’ve known for decades that climate change, resource depletion, and debt posed catastrophic threats to our way of life, and we have completely failed to prepare. Life is already hard for too many people; the unpalatable truth is that it will soon get much worse.
‘Pareidolia’ is the trait humans have for seeing patterns which aren’t really there – such as seeing a rabbit on the moon, or Elvis in an oddly shaped carrot. In my case, it’s seeing the end of the world in a patch of damp plaster on the wall.
Still, one of the key tenets of Iolo Morganwg’s Bardism is “Y Gwir yn Erbyn y Byd” – The Truth Against the World. As Druids, we need to find out what is true – and we need to champion it even when it is unpopular or unpalatable.
A Celt and a Saxon would agree that of the colour of the sea, the colour of ivy leaves, and the colour of an Ovate’s robe, two belong together and one is different. They would, however, disagree on what the two are.
In Welsh Druidry, we believe in reincarnation, and the gradual journey of the soul from Annwn, through untold incarnations in our own world of Abred, until it has become sufficiently wise to leave material incarnation behind and progress to Gwynfyd, the existence of purely spiritual life:
Iolo Morganwg was known in his own day as ‘The Bard of Liberty’. There were very good reasons for this, and I want to explore some of those reasons because they will help us to understand why he and his system are so important to us today.
I wrote this as a contribution to a discussion that’s ongoing in the members’ forums of the Druid Network. Those are private, so I thought I might post it here so that a broader audience can read it and contribute their thoughts.
I recently met up with a friend, another Welsh Druid, in a local pub. Over the course of a few beers, many topics came up in conversation, but one has stuck with me. We noted that before the year 2000, the Mari Lwyd was not at all well-known, even in Wales. Since then, though, she has become, not exactly mainstream, but quite recognisable and a definite part of contemporary Welsh culture, with new Maris and new groups popping up all over the place. A video which I watched recently shows dozens of Mari Lwyds gathering in one place, and there will of course have been others which didn’t attend. It’s very striking how this element of traditional culture rose from obscurity to a new prominence and vitality. Clearly the Mari is speaking to something in our collective psyche, even if I’m not sure what that is.